Through these contrasts I hope to make my viewers aware of and contemplate the struggles that may exist in their own lives. It is the dichotomy of light and dark that plays a central role in my work. The beveled edges are darkened so that the luminosity of the sky emanates from the center of the painting. This element gives the painting a certain physical presence, turning it into an object that extends into space, physically engaging the viewer.
My oil paintings are done on a beveled canvas that lifts the central picture plane three inches off the wall. The lone tree and the weathered tree are important, often repeated motifs symbolizing the struggle of the individual and of overcoming adversity. All objects, trees, and buildings are illuminated from behind, enhancing the drama. Through the use of glazes I achieve a glowing ambient light that subtly graduates to darkness. Low horizon lines allow for the description of dominant skies while creating a sense of expansiveness in my work. Sometimes I think of my paintings in terms of theatre, where a dramatic story is unfolding on stage before an audience. Tall Foals, Baby Drafts, Bodacious Babies, and wired hair to name a few. Thus began Cathey's journey from creating pottery toĮxpanding her creativity to sculpting horses. OfĬourse they ended up at her house and spent time "mowing" the grassĪnd looking in the window's - watching her observing them! They spent 3 weeks Walking down the dirt lane towards her house in search of water and food. Inspiration for her whimsical equine statues came from seeing 4 draft horses To have a gift that permits her to work from home: sculpting and creating a pet Of which have special needs and require therapy or special diets (one hasĬrushed vocal cords and no teeth due to previous abuse). She is forever rescuing animals and currently shares her life with 8 dogs some Translate these principles to my daily life with a philosophy developed throughįor further information, contact us hereīorn in North Carolina, Cathey has settled in the Ozarks where she has been Through this process, I feel better equipped to Is healthy to explore form with certain guidelines and principles of art, suchĪs balance and harmony. The reason I produce these sculptures is that I believe it The change in value across the surface withīlack, white or a tonal color allows the form’s subtleties to emerge. Three-dimensional form allows the viewer multiple perspectives and causes a Is the simplest and most effective way for me to show movement. I rely heavily on the elements of line, form and value. Purpose is to cause the viewer’s mind to become both tranquil and focused. Meditative study of the underlying source of all things, minus the hecticĭetails that arise as it surfaces to our perception. My intention for each sculpture is to create a calm yetĭynamic form of seemingly effortless movement and grace. There is a timeless,Ĭlassical quality of the Art of Alex Buderer. Alex Buderer sculptures can be found in many private public collections. Subtle transitions in shape and form without compromise. It were clay, ignoring its rigidity and insisting that it perform the same
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execution of even the most complex subjects isįlawless, a tribute to his highly professional training. He feeds on materials and ideas, and then takesĪdvantage of what happens. He is very enthusiastic about the art he makes, and strives to be a sculptor of it suggests that much of what Alex saw andįelt as a child influenced the feeling now being released through his UponĬlose observation, it tends to produce a sense of something going on beyond the The art heĭoes may be admired as much for its workmanship as for its poetic content. That has been cast aside as worthless, then reclaim it to become a work ofĪlex Buderer is a practical, realistic man and a working pragmatist. To watch my uncle transform and re-define materials was something that really excited me. Have been inspired by my uncle Alexander Kozak who was a sculptor in New York.
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